Loosen up- studying the works of renowned painter George Bellows made me realize that there is a definite place for the quick study approach, outside of the area you, as the artist, consider to be the focus of the painting.
Consider priming the entire canvas with you base colors, thinned out with turpentine. Using white or yellow for areas I want to pop. Purple or blue for areas I want to be darker and richer, has. Given some of these pieces a much better sense of depth, and highlighted the foreground better than adding highlights at the end.
Step away. If you're like me, you may never like certain pieces. Realizing I'm not the final judge let me ask for feedback, before I added that extra brushstroke that leads to hours of fine tuning...
Normally, at this point, I'd be posting images as examples. This time, I'm just going to point you toward my portfolio. See for yourself. The last two weeks vs. many years of work.
Www.facebook.com/kengoodsonart check out the photos in the portfolio folder. This commercial message brought to you from my couch...
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